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Geraldine Buckley

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It is strange how life and literature sometimes flow in parallel.

It is exactly three years since I left my job as the Protestant Chaplain at the Maryland Correctional Training Center (MCTC) the largest mens' prison in Maryland.

I am reliving those days in great detail as I revise and tweak my new storytelling show “Tea in The Slammer” which takes an in-depth look at my time behind the bars and how I discovered a new use for my tea-making skills.

This afternoon I took a break from the editing and picked up a poetry book that was part of a set that my niece had given me. It was the selected works of Oscar Wilde. Once again I was riveted by his “Ballad of Reading Gaol” that I hadn’t read for many years.  It is based on Wilde’s own two-year incarceration with hard labor, completed in the closing years of the Nineteenth Century. 

I meant to read something frothy but I was drawn to this, his final work. This time the words took on new meaning in the light of my own time behind the bars.

One strand of the poem is about the execution of a man who murdered his wife for her infidelity.  After finding him guilty, the judge gave him three weeks to live.

English Victorian prisons were notoriously harsh – a world away from their 21st Century American equivalent - but I was transported back to the men that I knew at MCTC with the words:

"I never saw a man who looked

  With such a wistful eye

Upon that little tent of blue

  That prisoners call the sky.

And at every drifting cloud that went

  With sails of silver by."

No matter what century, no one relishes freedom more than those who have lost it.

On the day of his execution, while still alive, the man in Wilde’s poem is read the rite of burial.  After the hanging he is interred naked but still in shackles.  It was that last detail that struck me as particularly punitive.

Shaking off the sadness surrounding the death of a man that happened close to a hundred and twenty years ago, I went for a long walk on the path behind my house that winds besides a brook.  An enthusiastic, handsome St. Bernard bounded past me followed by his young owner.

I long to have a dog, but it’s not the right season in my life and so I scratch the itch by volunteering at my local animal shelter, writing the dogs' bios for the organization’s website in the hope of the pooches finding their perfect forever home.  I am conscious of the irony of downsizing from incarcerated men to cooped-up canines – but one spin-off is that I’m more aware of dog breeds.  And this St. Bernard was a beauty!

I struck up a dog-oriented conversation with the young man who encouraged his clearly beloved seven-year-old pet to come over and greet me.  And then he told me that he had found out yesterday that the dog has cancer.  His whole body started to shake gently as he held back tears. 
“He has three weeks.  So ‘till then I’m just going to let him do whatever he wants.” 

And the two friends carried on up the trail.

I was saddened by the dogs impending demise but amazed by the parallel.

Three weeks to live.

It might mean nothing – this melding of life and literature, pooches and prisons – or it might mean that a story is coming knocking wanting to be told.

Just in case it’s the latter, I’m listening.

Listening hard.

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Before the old year slips away to the strains of Auld Lang Syne and a burst of fireworks let me mull on the memories of the last few months.

This Summer I did much work creating and polishing stories for my new CD, “Devils on Horseback and Other Odd Journeys,” with it's tag line "Hilarious, True, Inadvertent Adventures,"which was recorded in two performances at The Frederick Cultural Arts Center in Frederick, Maryland.  (Available from the store section of this web site.  Click here.)

Of course besides the stories, a CD project comes with a myriad of decisions about art, design, packaging…  So I was thrilled when finally box upon box of the finished product were delivered by a lovely young UPS man with bright red hair.  He told me that he lives with his mother and has a Doberman Pinscher mix who loves English accents.  Apparently when he and his Mum are out of the house the dog listens to the audio books of the Harry Potter adventures – otherwise he gets too lonely. 

I am delighted to tell you that the very first copy of my new CD went to a literary loving dog so that he can learn English accent diversity!

I am also delighted to tell you that the dog has perfect manners.  I received this email from the puppy, whose name is Doszer.

“I asked my Mom to type this for me as paws and keyboards do not mix well.  I wanted to say thank you for the CD!  I love it!  I am not sure how Daddy talked you into giving a CD to a dog, but I greatly appreciate it! 

I get nervous when Mom and Dad go out. So it is nice having someone tell me stories.  Mom likes to listen to books on CD while she does stuff around the house and discovered that I enjoy them too.  Her story friends keep me company when she and Dad cannot be home with me.  Thank you for becoming my new friend!  …Oh and thank you for being nice to your UPS man.  You made his day and mine too!

Thank you again!

Puppy Kisses,

Doszer Ziliox"

Be still my beating heart!  I am thrilled to have such a polite, canine fan.  Woof!

In September I was invited back to tell at the Southern Ohio Festival in Chillicothe, Ohio – one of my favorite festivals.  Donald Davis, Carmen Deedy, Bil Lepp, Sheila Arnold, Octavia Sexton and Kevin Coleman were also on the lineup.  It was a glorious mix of tellers who melded together perfectly. The weekend was memorable for deep conversations, shared ideas, friendship and laugher.  And the stories were superb - the late summer Ohio air was alive with the magic of words.

I hadn’t met Carmen before and joined the long line of people who have fallen in love with her!  It was mutual.  We became instant friends!

I am so enjoying this storytelling journey - especially the fascinating, generous, big-hearted people I am meeting upon the way. 

In October I was thrilled to win the first Storytelling Slam competition at the 40th Anniversary of the National Storytelling Festival at Jonesborough, Tennessee.  The story was called “Hitchhiking” and it is a five minute extract from a longer story of the same name on my latest CD.

 Not long after my return I went to my brother’s house in Washington DC for a family celebration.  Damian, my brother, insisted I told the winning story.  When I finished he presented me with an award.  An eye!  (Perfect for the story.)  Apparently the saleslady told him it was soap – but he said that he was going to tell me it was a gobstopper (candy).  She said: ‘Surely you wouldn’t do that to your sister!”  He said: “Oh yes I would.”  And he did!  The rotter!

 Winning the slam had wonderful repercussions.   Liz Miller, librarian and storytelling impresario was in the audience, visiting from New Zealand.  She loved that story and the stories on my other two CD’s. 

The outcome? 

Liz invited me to tell stories, together with Storyteller and Musician Bill Harley (who has just been nominated for his third Grammy), at the Invercargill Arts Festival in New Zealand next May!  The ticket has already been bought and paid for thanks to a grant organized by Liz.  I have always wanted to visit New Zealand and I’m absolutely thrilled!  Other opportunities are popping up in that scenically-stunning nation and I will be telling and travelling for the whole month of May.  Hallelluia!

Lastly, I finally broke my prison fast.  I officially left the prison where I worked as Chaplain at the end of January 2010 but the last time I went in to a correctional facility was three years ago on the day before Christmas Eve. 

This Christmas Eve, exactly three years later, I went in to the Frederick County Detention Center to tell stories as part of the female inmate’s Christmas party.  I had the most wonderful time and I loved seeing all the girls laughing. I’ll be back.  The program director and the inmates want me to do a full storytelling concert – and I will be very happy to do so.

It has been a good year, and I have great excitement stirring in my spirit for all that lies ahead in the coming twelve months.

May it be a wonderful new season for everyone who is reading this post, full of grace, favor, wisdom, health, provision, love and abundant laughter. 

Go God! 

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What a delicious  story-filled long weekend!

A few months ago friend and Storyteller Andy Offutt Irwin told me that he would be in town doing a house concert at Laura Hagmann’s house in Silver Spring, Maryland (one of my favourite storytelling venues) and a set with the two-time Grammy award winning musical duo Cathy Fink and Marcy Marxer at the Washington Folk Festival. 

He asked if I would arrange a couple of events that we could do together to round out his stay. 

Some years ago I was an events director for Jackie Cooper PR - at the time the largest independent PR agency in London – and I was delighted to put my old skills to use.

I swung into action.

The result was two wonderfully fun evenings. 

On Thursday May 31st Andy and I did a storytelling workshop entitled “Humor and the Narrative Arc” for Speakeasy DC held at the Hamiltonian Art Gallery on trendy U street in Washington DC.  What a delightful quirky space!  That night it was packed with talented participants – all eager to learn- who ended up telling their own amazing stories.  The room reverberated with wild tales, excitement and laughter.  SpeakeasyDC’s executive director, Amy Saidman, wrote that she was really pleased with the result and declared the evening to be a success. Yea!

The second event was an anthology storytelling show “Drunk Nuns, Sober Spirits and other Storytelling Misadventures held on Saturday June 2nd at the Frederick Cultural Arts Center. 

The show got excellent pre-publicity from the Frederick News Post and the Gazette and we had a lovely, enthusiastic crowd including one woman, Meredith Miller, new to storytelling, who later wrote:

 “I absolutely LOVED the show tonight! It was amazing - captivating - hysterical - and tender. I think I experienced every range of emotion possible in those few hours.  I was so swept away with the canvas portrait of stories that were shared ... you literally *took* me there with you to those points in time. What an incredible, joyous ride. Thank you SO much for inviting me.

Cannot wait until the next time!”

Another person hooked on storytelling. 

Halleluiah!

 One of the delights in this storytelling journey is the people you meet along the way – and I had a wonderful time getting to know Cathy Fink over three days as we spend time together at the workshop, the excellent house concert the following day (where I met Marcy – albeit briefly -  for the first time) and at the Drunk Nuns show.  Cathy and Marcy are virtually neighbors and so I look forward to sharing more laughter with them in the days ahead.

On Sunday I performed at the 32nd annual Washington Folk Festival at Glen Echo Park on the Storytelling Stage.  My eccentric great aunt, princesses bruised by hidden peas and ferocious tigers eventually tamed, all lived - and were received with great enthusiasm by the audience!

I finished the day off with a carousel ride.  Built in 1921, the award winning Glen Echo Carousel is a work of art.  The galloping horses and jungle animals, the beautifully painted pastoral scenes and the Wurlitzer organ were a perfect backdrop to mull over the storytelling excitement of the previous few days.

The horse looked a little wild eyed by the time I disembarked - but I was ecstatic!

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Last Thursday, at midnight, I inadvertently found myself on a mist-covered, winding back-road in Ohio and felt I was in the prelude to one of the ghost stories I knew I’d be hearing at a concert the following night.

Near the end of a six and a half hour journey from my home in Frederick, Maryland to Chillicothe - home of the Southern Ohio Storytelling  Festival - I had somehow managed to leave the main highway and was approaching the city by a narrow country road.  By day this would have been the scenic route, but now, in the witching hour, it was covered by a thick layer of mist that reduced visibility dramatically and had me gripping the steering wheel, nose almost against the windscreen.

 I am a storyteller - stories are always floating through my mind - and driving on that country road I was reminded of another dark and misty night in 2007.

I had just conducted my first wedding, held in the evening at a vineyard in a remote part of the Maryland countryside, and on leaving I had accidentally turned the wrong way. 

Not knowing the area, I quickly became lost on back roads where visibility was less than a couple of yards. 

Suddenly an enormous truck appeared out of the gloom behind me and got so close it almost touched my bumper. 

The road curved frequently.  It was too narrow to pull over and there was nowhere to pull off.  I was going 25 miles an hour.  The truck increased its speed.  I got up to 40.  The truck was right there behind me.  I moved up to 55, still only able to see a short distance in front of me. 

I was hurtling around corners.

The truck went faster. 

My hands were in a death-grip on the wheel.  My prayer ability was reduced to a repeated:

“Jesus!  Help!”

I felt I was inside Stephen Speilberg’s first feature film, Duel, made in 1971, in which a demonic monster truck chases a car and seems determined to kill him.

My speed hit 70 miles an hour.  I was going too fast to turn into entrances and the narrow side roads were past before I could swerve into them.

I was terrified.

Finally I saw an extra-large forecourt and veered in almost crying with relief as that huge truck let out a billow of smoke and went hurtling past me into the mist-filled night.

Now, almost four years later, in the darkness of an Ohio night, I started to wonder where the truck had come from. 

At the time I had been in the first months of my job as chaplain in the largest men’s prison in Maryland.  I was in the Correctional Academy, training to be a correctional officer – a requirement for all staff who would have daily contact with inmates.

Earlier that night I had accidentally been locked in the pitch dark training annex of the prison, by myself, for what seemed like an eternity.

I didn’t think I was going to make it to the wedding. 

When I was released by someone coming to practice night shooting I was upset and discombobulated.

Then there was the truck.

There is a lot of spiritual darkness surrounding a prison.  Many of the men come with their share of demons. They meet the ones already embedded in the place.

My mind started to fantasize.

Was the speeding juggernaut a second warning of the day to keep away from the prison?

Was it a ghost truck?

Was it sent by hell to frighten me?

I was beginning to scare myself!

I don’t like ghost stories. I was only going to a concert filled with them the following night because friends would be telling including Kim Weitkamp - who has just brought out a beautifully designed spooky CD called “Head Bone Rattles.”  But driving in the mist on the outskirts of Chillicothe, minutes past midnight last Friday morning, in conditions that were bad, but far better than in my "Duel" encounter, I realized that I had just re-lived my own terror tale.

Shaking off the gloom and frissons of fear that were trying to snag me, I sang Jesus praise songs all the way to the hotel and thought about the delightful storytelling weekend ahead.

                                                                          *****

I will always have a soft spot for the Southern Ohio Storytelling Festival. 

I performed there last year – my first storytelling festival – and it was a joy to be back seeing friends such as Peggy Riggin, who keeps all the artists on track, Bill McKell the director of the festival and his wonderful mother, Mirielle McKell. 

This year I was going as a listener, staying with my friend Storyteller Suzi Whaples who was on the lineup of tellers, together with Andy Offutt Irwin, Adam Booth, Kim Weitkamp, Bill Mckell, Kevin Coleman and Elizabeth Ellis.

They were all spectacular.

I was particularly pleased that Elizabeth Ellis – doyenne of storytelling and a Circle of Excellence Award winner - was a featured teller.

I had never heard her tell in person.

I was entranced. 

She wove a few myths and many personal stories into a world of enchantment. 

She made me think, laugh and cry.

She was generous with her time and the knowledge she had gleaned over a thirty-year storytelling career and I was thrilled to be included in a small unscheduled group that gathered after lunch one day where Elizabeth poured out wisdom mingled with earthy wit - sheer delight!

Following in the footsteps of the Jonesborough Festival, Southern Ohio gives out entry tickets that are swatches of quilt fabric. 

After a full day of listening and laughing on Friday I carefully tucked mine into a zippered pocket in my purse.  To my bewilderment I couldn’t find it the next day. 

The vibrant paisley swatch was camouflaged.

It was the exact match for the lining of my bag!

I settled in for another day of brilliant telling, happy that I had received a tiny hexagonal sign that I am exactly where I am meant to be on my storytelling journey.

Even on the occasions where the road seems dark and misty, I am enjoying the ride!

Thank you Lord!

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On a balmy late-summer evening, the first Saturday of September, I did a house concert with my friend, Speaker and Storyteller Bob Tryanski.

It was in his cousin’s house in Lincoln University, PA.

Besides being a gifted interior designer, Bob’s cousin, Patti Lyons, is the most in-demand Sarah Palin look alike in the nation, beloved by audiences of all political persuasions.

The evening was wonderful.

Nibbles, drinks and dinner were served inside the glorious house, then Bob and I told stories to an appreciative crowd on a covered deck. 

With the exception of a couple of aficionados, these people were storytelling virgins.

They were new to the genre and they loved it!

At the end of the performance one man came up to Bob and me with a look of surprise on his face.

“I almost didn’t come,” he said “I was sure it wasn’t going to be my kind of thing. But I really enjoyed it.  When the two of you told stories I got pictures in my mind. I was there right with you.  I could see it all.  Thank you.”

Yes!

Many wanted to know where they could hear more stories and storytellers.

Ah!  Be still my beating heart!

A crowd of storytelling converts!

Halleluiah!

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This August, I went on vacation to Hatteras Island in North Carolina with my cousin and her family and friends - and that is when I discovered Ocracoke, the 9.6 square mile remote Outer Banks island that can only be reached by public ferry, private boat or plane.

Let me more specific.

I didn’t just discover the island.  I fell irrevocably in love with Ocracoke.

It happened quickly.  Our group took the ferry to the island to go to the beach.  Ocracoke is known for its beaches.  I opted out and browsed around a wonderful bookstore, Books to be Red, nosed around the outside of the Deepwater Theater that hosts storytelling and music shows – and then was delighted that the white, weathered, Methodist Church was open.  I went in and sat down.  

And that’s when it happened.

It seemed as though the present disappeared and I heard the ancient rhythms of Ocracoke.  It was as though the tourists, the bustle, the rented golf carts that whizzed up and down the main street of the village didn’t exist. 

I felt the island’s heartbeat.

Connected with its heartbeat.

I must have entered a time warp.  Before I knew it an hour and a half had gone and I came out of that church in a daze knowing something of great personal importance had happened.

Now I have to tell you that I come from island stock.  I was born in England but the majority of my ancestors come from Ireland – both are islands of course – if large ones.   But there is a line of my predecessors that come from the Isle of Man, a small wind-blown island between the north west coast of England and Ireland about three times the size of Ocracoke but nowadays, as a tax haven, infinitely more crowded.

It was as though the genes of my forebears were rising up and thanking me for taking them back to a relatively isolated island.

I knew I would be returning to Ocrocoke many times.

I visited the island three times that week.  In between trips I did research.  I already knew it was the home of Donald Davis, America’s foremost storyteller - a genuinely lovely man - who lives there with his absolutely wonderful wife, Merle.  But I found out that Ocracoke has a music and storytelling festival, a vibrant arts community, and a week-long Ocracoke arts and traditions school that is held every fall. 

I inhaled everything I could about the history of the island, the local dialect - which was so reminiscent of the accent in the West of England where I went to university – the food lore (figs are abundant on the island and there is a local plant that can be made into tea.)  I was transfixed by incredible stories of shipwrecks, bravery, pirates, storms, wild ponies and a selfless, loving, generous people who have survived against all odds perched on a magical island thrust out into the sea off the shores of North Carolina.

I left for home and planned my return.

The following week Hurricane Irene hit.

I sat glued to my computer reading weather websites, local blogs and watching webcams as Irene lashed the Island.  I prayed deeply and fervently for protection for all those who lived there and for their property.

I thank the Almighty that my newly discovered Shangri-La did not become Atlantis.

Ocracoke survived - as it had over the centuries. - this time with minimal damage and flooding.  (Although Highway 12 that goes from Ocracoke's free ferry across and off  Hatteras Island was severed in five places leaving Ocracoke even more isolated than usual, albeit - most probably - temporarily.)

                                    ………………………………………..                                 

When I think about my instant attachment to Ocacoke Island I am reminded of the book The Polar Express.

In that story, the first gift of Christmas was a bell from the harness of one of Santa’s reindeer.

Adults couldn’t hear it.

You could only hear it if you truly believed.

I feel as though I heard the bell ringing on Ocracoke. 

I felt the stories and the magic.

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Last year I wrote about my visit to a puppet maker’s house that appeared to have stepped right out of a fairy tale. 

Good things spring out of visits to once upon a time land. 

 While I was at Michael and Judith Cotter’s home (owners of Blue Sky Puppet Theater) I picked up a brochure for a course called The Teaching Artists Institute (TAI) administrated by Young Audences/Arts For Learning.  

I read that TAI is a professional arts-in-education program for teaching artists and classroom teachers.  Both learn what the other needs to flourish.  Their collaboration ends in a minimum four day residency for the artist in their teacher-partner’s classroom that would hopefully lead to many other similar residencies. 

It sounded good. 

The deadline was imminent. 

I applied on the last day and at the last hour and it has filled the first few months of 2011 with learning and delight!

At the beginning of January, twenty five amazingly talented artists from the fields of music, dance, art and theater (which includes poetry and storytelling) gathered in Salisbury on Maryland’s Eastern Shore for a 3 day intensive seminar launching a six month course to learn how to present their craft in schools incorporating both academic standards and 21st Century Skills.  Partner-teachers joined on the third day

21st Century Skills intrigued me. 

Last November I saw the documentary Waiting For Superman. This film outlines the problems inherent in the American public school system resulting in a increasing inability to produce enough educated graduates that can adequately compete with their peers from other nations.

A considerable percentage of students from failing schools end up in prison with no qualifications.

This was real to me. 

Many of the men under my care while I was a Chaplain at the largest men’s prison in Maryland came from such schools.  One of the benefits of the prison system, in Maryland at least, was that it was compulsory for high-school dropouts under 25 to get their GED (or at least attend classes.)

21st Century Skills was developed as a response to the nation's educational crisis.

A group of top educators and business people joined forces to decide what skills young people needed to succeed in today’s world. 

They narrowed the selection down to creativity, innovation, critical thinking, problem solving, collaboration and social and cross cultural savvy.

TAI leadership were delighted as they realized that many teaching artists were already naturally incorporating these concepts into their classes.

The seminar teaches participants to be aware of the standards and skills and shape the work they are already doing in a way will have the greatest impact in the classroom and in students’ lives.

One of the wonderful things about the course was that from the first hello there was a joyous sense of collaboration between the teachers of the course – all professional teaching artists – and the artists themselves.

Teaching sessions sizzled with creativity and rocked with laughter. 

Professional collaboration was entered into. 

Friendships forged.

On the third day the teacher-partners were introduced into the mix and another layer of mutually beneficial collaboration began.

The TAI course consists of the retreat followed by several Saturdays working on the new residency, including one day recently where we got to see segments of other people’s work.  The residencies themselves will happen in April and graduation will take place in June.

I will be going into the absolutely delightful Elizabeth Braden’s 8th grade language arts classroom at Southern Middle School in Severna Park, MD teaching students to tell folk tales and personal stories as well as how to listen to others and how to best connect with an audience.

Such fun!

I have learned so much through TAI!  Besides academic concepts I have discovered the joys of beat boxing, steel drumming, collaborative dance, vaudeville mime including juggling and plate spinning, play writing and deaf theater and I have been knit into a supportive network of teaching artists. 

Bliss!

There is hope for America’s school system.

It is called arts-integration.

It results in students imbibing urgently needed 21st Century skills almost by osmosis – and certainly with laughter.

Creativity is a powerful tool.

And that is no fairy tale!

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 What an extraordinary storytelling year this has been!

(And yes I know I am repeating myself from my last post - but truth is worth saying twice!)

As I write this in the last few hours of 2010, I am amazed at how many doors have opened this year, how many new friends I have made and how many soul stirring as well as absolutely hilarious stories I have heard. 

But I have been lax of late. 

I haven’t mentioned two events that meant much to me and I don’t want the old year to die without shining a spotlight on them.

The first was participating in the Lower Brandywine Storytelling Festival at the Lower Brandywine Presbyterian Church in Wilmington, Delaware on November 5th and 6th and the second was winning an award for this blog!

The Lower Brandywine festival was an absolute delight filled with an abundance of the best storytellers in the nation, including Willy Caflin, Milbre Burch, Bill Harley, Andy Offutt Irwin, Bil Lepp, Kim Weitkamp, Ed Stivender, Doug Elliot and Slash Coleman.  It was an honor to participate, and great fun to attend with my cousin, Vivienne Jones.

The festival was held in the sanctuary and the grounds of one of the oldest churches in the nation (founded on October 15, 1720.)  A tent with clear sides had been erected at the edge of the ancient graveyard and at night the light shone out and could be seen for miles.  National Storyteller Bil Lepp described the scene superbly when he said that the tent looked like a giant snow globe waiting for the hand of God to shake it!

It was a memorable weekend filled with laughter and wonder!

Then just a few days ago I got a chance to relive the whole event. 

Michael Wright, the director of the festival, sent me a copy of a letter that he had written to Susan O’Connor at the International Storytelling Center in Jonesborough, Tennessee.  

He talks about his festival and then mentions me, saying:

“What a wonderful woman.  I could listen to her tell stories all day!  She is hysterically funny, engaging, and really bonds with those in the audience.”

To say I was a delighted was a complete understatement!  I was absolutely thrilled!

What a wonderful compliment! 

Be still my beating heart!

Shrink back my fast-growing head!

Thank you Michael!

 

Secondly, I received an award for this blog.  It is a Masters Award for Storytelling.  What an unexpected honor.

And I am in very august company!  Many fine storytellers and brilliant blogs were listed. 

Oh happy day!

 

Let me end 2010 with an extract from a poem that I love.  Called At The Gate Of The Year it was written by Marie Louise Haskins (1876-1957) and it was quoted by King George Vl in his Christmas broadcast at the beginning of the Second World War. 

It is both comforting and encouraging.

 

I said to the man who stood at the gate of the year,

“Give me a light that I may tread safely into the unknown.”

And he replied:

“Go out into the darkness and put your hand into the hand of God.

That shall be to you better than light and safer than a known way.”

 

Happy New Year everyone!  May 2011 be a wonderful one, filled with love, grace, health, success and laughter!

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The land of once-upon-a-time has surrounded me this extraordinary storytelling year!

Rediscovering many old childhood favorites, I have inhaled fairy tales and folk tales by the bookload as I climbed a steep story-world learning curve.  So it seemed perfectly natural to find that the theme of this year’s Frederick’s 72 Hour Film Fest was fairy tales and fables reinvented.

On September 30th at a costumed launch party, forty three teams of film makers were randomly given the names of a well known fairy story or fable together with a “poisoned apple challenge” such as having to include an overturned chair or a ticking clock in their movie or having 30 seconds shaved off an already tight production time.  From that moment the teams had 72 hours to make a five minute film – 6 minutes for professional entries -  and all the creations were shown at Frederick’s Weinburg theater the following weekend.

I am delighted to tell you that the company that created my website, recorded my CD and designed my storytelling publicity material – Connectivity Group – won the best of show for the second year running – together with a slew of other awards.

Connectivity Group LLC (whose core team is brothers John and Alan Saunders and their father Bruce Saunders) were given the challenge of creating a film around the theme of Tom Thumb – be careful what you wish for – and their poisoned apple challenge was losing time.  Their entry, Wish, complete with an original music score, oozes with the creativity and professionalism that sets the company apart, and it also manages to have the dark, sinister edge of original fables.  See it here.

Congratulations to the Saunders and Connectivity Group! 

Although you were up against some excellent film makers and other spectacular entries your victory was very well deserved!

As we would say in England – home of so many fairy stories and fables…

Wish was wicked!

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This has been a season of firsts! 

In the past months I have experienced many storytelling firsts – but the most thrilling of the lineup was going to the National Storytelling Festival in Jonesborough Tennessee.  

This festival began in 1973 when 60 people sat on hay bales to hear Appalachian tales told from the back of a hay wagon parked beside the town courthouse. 

It was so successful it became a yearly event - and grew!

Now about 10,000 people pour into Jonesborough for three days over the first weekend of October every year to hear the best storytellers from America and around the globe tell riveting tales under huge tents that are dotted throughout this lovely town – the oldest in Tennessee.

 I first heard about the festival ten years ago. 

After completing a week long residential storytelling course in England I went to the Greenbelt Arts Festival with my friend, storyteller and cinematographer Shan Stevens. We met some tellers  from the storytelling graduate program at East Tennessee State University at Jonesborough who told us about the National Festival. 

I started salivating – I wanted to go. 

But it has taken a decade for that sown seed to sprout.

This year was harvest time – not only was I going but I knew several of the featured storytellers – which made everything even more exciting – if that were possible! 

Friends Kim Weitkamp and Suzi Whaples were featured “New Voices” – and they both did superbly. 

Each received well-deserved standing ovations at the end of their main one hour sets. I thought my heart would burst with pride on their behalf!

Friends Bil Lepp and Andy Offut Irwin also were telling – and they were as wonderful as usual. 

In his main one hour set, Bil took a break from his normal tall tales style – he is a Champion Liar – a five time winner of the West Virginia Liar's Contest – as well as an ordained Methodist Minister.  He told a true World War ll story, "The GOYA’s, 551st Infantry Parachute Division," in the voice of Suzi Whaples' father whom he had interviewed some years before. 

Bil was utterly believable and so, in spirit, we followed the 18 year old West Virginia serviceman through boot camp, invasion of France, Battle of the Bulge and post war occupation in a tale that was humorous and harrowing and made history live. 

It was an amazing, moving, tour de force. 

Then there were more glorious, glorious words and images from superb storytellers such as 92 year old Kathryn Windham, Donald Davis, Carmen Deedy, Kevin Kling, Eth-Noh-Tech and a host of others.  On Saturday there was a fabulous midnight cabaret with Bill Harley and a group of his musician friends.  (All were new to me except for Donald Davis whom I had seen perform in Williamsburg two weeks previously.  I snagged a seat on the front row.  I was close enough to see his nose hairs!  Glory!)

The only difficulty was deciding what to see because going to hear one teller meant missing someone else.  Decisions!  Decisions!  I was in the tents first thing in the morning and had to be outed with a crowbar as the last word of the night was greeted by applause.  Oh such delicious hours!

Jonesborough is a word lover's paradise - and I am in love with words and stories!

On late Sunday afternoon, after it was all over, a friend of a friend, Sarah Keplinger Hughes, who I had met once before ten years ago, whisked me away for a delicious steak dinner (thank you Sarah!)  I ended the evening in Storyteller Connie Gill’s magnificent saltwater pool and freshwater Jacuzzi, reliving  my recent firsts and reminiscing about the weekend.

Of all the jewel like moments strung together to make a glorious storytelling necklace – one particular event stands out.

The day before the festival started I had gone to get my patch of material that serves as ticket.  When the volunteer with the kind eyes heard it was my first Jonesborough festival he said:

“Welcome Home!” 

Then he got out his wallet, took out three dollars and bought me a lanyard with a clear pouch hanging from it so that I could wear my entry patch with ease. 

It was an unforgettable gesture!

I felt I had indeed come home. 

I had found my tribe.

And when that happens, you know you’ll be back.

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Last week I stepped into a living fairytale.

Or that’s what it felt like when I went to a house in University Park, Maryland that resembled an illustration for a children’s story.

In my mind this is how the tale started.

"Once upon a time there was a cottage on the edge of a big city that was made out of decorated gingerbread.  It belonged to a puppet maker and his wife.  Ten years before, the puppet maker discovered he was a wonderful painter and his vibrant artwork was now displayed throughout the house. 

People were amazed when they saw the paintings because they were so beautiful!

The puppet maker had a mobile puppet theater and he went round to schools and libraries, churches and country clubs putting on shows.  His theater became so successful that he hired other people and formed teams so that he could reach more children.  He loved his job because he really enjoyed making children happy. 

In his spare time the puppet maker created a giant xylophone made out of recycled materials that sat in his garden so that the neighborhood kids could come and make music. He and his wife loved to hear the children laughing and creating new songs right outside their kitchen window…."

 Do you see what I mean?  It sounds like the beginning of fairytale – but it happens to be true.

I met Michael Cotter, puppet maker and owner of Blue Sky Puppet Theater and his wife Judith at SpeakeasyDC, the storytelling club that I love in Washington DC. 

He very kindly offered to pass on his knowledge of the business side of an arts venture both to me and to author and fellow storyteller Julie Kraut , who is also a SpeakeasyDC regular.

I had seen one of Michael’s productions on a hot July day under a tent at the back of Strathmore Mansion.  It was the “Barker of Seville”, and I had been entranced by the creativity of the show and the enchantment on the face of the children in the audience. 

So I was delighted to take up his offer of an intense learning experience at his University Park home. Over the almost three hour seminar Michael poured out the lessons and secrets he had gleaned from twenty five years of running his puppet business that has been successful enough to provide a comfortable living for his family and to put three children through college.

In a nutshell the information mirrored the story of the rich Greek farmer who on his death bed passed on the secret of his great success to his sons.  “Every day you must walk over the land because the owner’s eyes must see everything.” 

For a puppet master, and a storyteller, that translates to - balance the creative side with the business side.  If one is to thrive they both must thrive.

By the end of the session I was enormously impressed with the professionalism, precision and creativity that Michael uses in running his puppet empire.  All the shows are primarily excellent entertainment as well as being a first class educational tool. 

And  they are fun!

The company travels regularly to a two hour circumference around University Park (which is near Washington DC) and goes further on request.  So if you need a fabulous puppet show, contact Blue Sky Puppet Theater.

 I left with facts, figures and strategies swirling around my head and encouragement warming my heart. 

What a gift!

Thank you Michael for so generously passing on your knowledge!

I was proud of myself when leaving the house for two reasons.

  • I successfully resisted the urge to bang on the outdoor xylophone.
  • I didn’t break off a gingerbread shingle and nibble on it all the way back to Frederick.

 I’m saving both those pleasures for my next visit!

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